Showing posts with label Superhero. Show all posts
Showing posts with label Superhero. Show all posts

Friday, March 10, 2017

Kotas Reviews Logan

I've been watching X-Men movies since the first one came out in 2000. Admittedly, after the mediocre X-3 and the abysmal Wolverine: Origins movies, I fell out of love with the series. I hear good things about some of the other films though, and I hope to find time to see them eventually. Still, when heard about the premise of Logan I knew I had to see it. Getting to see Hugh Jackman's last turn as the character, along with Patrick Stewart? Yes, please. Saddle up, it's gonna be a bumpy ride.

I know that look.
Image Source: https://www.indiewire.com/wp-content/uploads/2017/01/lohan.jpg
I am going to try and keep any spoilers to a bare minimum, or keep it to stuff revealed in the opening moments of the film. A lot of what I'm going to talk about is in the trailers and such, so it shouldn't be too spoilertastic. Anyway, we open on Logan blearily waking up and stumbling out of the limo he's in, only to discover a pile of gangbangers trying to strip his tires. This goes about as well as you'd expect, though Logan looks like he's been through an inordinate amount of shit as of late. His hair is graying, his clothes, while presentable, are worn, and his wounds heal, but not like they used to. In fact he looks very scarred, which wasn't something you'd ever expect to see on the Wolverine.

Later on, Logan is confronted by a cybered up fellow named Donald Pierce, head of the Reavers. They're looking for someone, and want Logan to call them if he finds that someone. This goes about as well as you'd expect, but Logan doesn't just go apeshit on this guy, and for good reason. He's got bigger problems.

Eventually we get to see Professor Xavier, or Charles, as he's referred to here, and I have to give credit to Sir Stewart here, you feel the age of the guy. He's old, decrepit, and his mind is slipping away. Given that mind is also one of the most powerful weapons on the planet, that thought should scare you. It certainly scares Logan. Still, obligations being what they are, Logan is caring for him, along with a mutant named Caliban who is a mutant tracker and an albino, and thus, doesn't have a lot of career options.

To sum up, mutants are dying out as no new ones have been born in years. Logan is the last of the X-Men, and just trying to make enough money to survive and eventually whisk Charles off to the ocean to get away from everyone. Mostly because Charles has seizures that psychically paralyze everyone around him in incredibly painful ways, and Logan seems to be one of the few that can fight through it to get him his medication. It's...grim, dusty, and filled with emptiness of the soul, but things pick up when Laura shows up, showing off some very familiar claws...

From this point the movie is basically a road trip movie with three people just trying to get through the journey: Charles, Laura, and Logan. The plot isn't too complicated (at least for this part of the film), but the interactions between these three really sell the movie, more than anything else. This is a tightly focused character piece about a man dealing with regret finding some way to muster up the ability to have one final adventure. There is a ton of emotion and meaning conveyed with body language and inflection, which goes to show how skilled the acting is here. Sure, it's not perfect, but damn if it isn't firing on all cylinders at times. Then there are the fight scenes.

The cinematography here is actually really well done. You feel the hurt that Logan is in, and the fights are frenetic, brutal, and gore filled, but not to the ridiculous levels shown in the much more comedic Deadpool. There is a touch of realism and grittiness in the fight scenes that normally isn't present in films about dudes who can pop claws out of their wrists. Every crunch, every stab, every flip is there to be felt and make the audience just cringe in shared empathy, even for the nameless mooks who I'm sure were just two weeks from retirement.

There are some interesting parallels between Logan and Charles I want to touch on. In a lot of ways, Professor X and Wolverine were opposites. One has incredible physical prowess, the other mental. One is nearly feral with rage, the other as calm as a lake in spring time. This movie sort of flips it all on its head. Now Charles is the one nearly mad (at times) due to his age and the ravages of onset mental deterioration. Logan has to be the responsible one, the one who keeps his cool because it wouldn't do to have the bachalorette party in the limo flip out when you accidentally pop claws. On the other hand, both men suffer from a similar malady: Their most powerful weapon is now slowly killing them. The adamantium in Logan's skeleton is finally, after all these years, overwhelming his ability to regenerate and boy howdy does it show. Seeing Charles curse and be incredibly childish while Logan has to take on the more parental role is heartbreaking, but it is just so well done.

There are a lot of feels in this movie, so be prepared for a few (or maybe a lot of) tears. Even something as cheesy as an old western is made pretty damn meaningful, and sometimes the victory isn't pretty or sweet, or happy. Still, it is very fitting, and a good way to send off the character. Whoever wrote the very last bit should get a fucking raise too. It did not end the way I thought I wanted it to, but it ended in a way I think was just right. Even if I didn't know it. This is a Western wrapped in a road trip that throws its superhero trappings on just long enough to remind you where it came from.

On the FACE Rating System, Logan gets 3 Very Sad Smiley Faces. If you don't understand that now, you will after you see the film, because you should see the film if you are a fan of the X-Men, the characters, or even just Hugh Jackman or Patrick Stewart. Damn good film. Oh, it also has boobs in it. So you know, there's that. Man, this film couldn't have been made if Deadpool didn't do so well, but boy am I grateful that it exists. Just go see it!

Thursday, April 28, 2016

Kotas Reviews Superman Cereal

Well, we've covered one half of the summer's biggest superhero throw down, time to look at the other side of that coin. Let me level with you, I've always felt that Superman works best as a part of an ensemble because he serves as the powerhouse AND the moral compass. It his own stories, it is how those around him act and react that adds interest, because this kind of character is easy to make boring or stupid (or kind of a dick). Of course, we're not here to examine Superman as a character, but as a breakfast...


Look! Up in the Sky! It's a Bird! It's a Plane! No, it's...a cereal?
Again, they don't list the hero's name on the front of the box, but that big red S is reeeeeally hard to miss. It is also very very shiny, which it turns out the Batman box was too, but since it is BLACK it doesn't stand out nearly as much. Super fancy, General Mills! I applaud your best efforts here. So, how does it look in the bowl? 


Like, well, cereal. I expected it to be fancier...
So, this is listed as Caramel Crunch cereal. Frankly, I am surprised at this. When it comes to flavors, Caramel does not scream "Last Son of Krypton's breakfast" to me, but hey, what do I know about alien physiology? The scent is straight corn and fakey caramel. Smells pretty good actually. The look of the pieces is...well, it sucks. It is the OUTLINE of the traditional Superman symbol. With the Batman cereal, it's pretty obviously Batman (or at least, bat) themed, but this? It's pretty damn generic and bland. Which, come to think of it, is a criticism leveled at Superman from time to time. Huh. Anyway...

The taste is pretty amazing. Super, even. Nice caramel flavoring, with a hearty corn crunch to back it up. It's like Corn Pops, but instead of Honey you get Caramel instead. It's not particularly thematic, but sometimes what you want is something that just tastes good from start to finish and doesn't ask much of you. It isn't the cereal we deserve, but the cereal we need. 

On the FACE Rating System, this gets 2 smileys. It may not be particularly thematic, but it's damn tasty and the theme doesn't detract from it. Reliable, good, not particularly fancy...kind of like the hero it represents. If you like sugary cereal, give this one a whirl!

Kotas Reviews Batman Cereal

Well, I can finally talk about this! The greatest showdown ever depicted on screen or on page was of course gonna be a superhero brawl. It is just the sort of thing that lends itself to spectacle, really, and this year we've got some good ones! Maybe we will be treated to a couple of heroes who, due to a few poor choices and misunderstandings, find themselves at odds over fundamental questions of authority and freedom...or maybe we'll just have an illegal alien and a whiny rich orphan beating the shit out of each other for reasons. With all that in mind, I present to you the REAL showdown of the century! Batman (Cereal) vs. Superman (Cereal)!


Because actually putting the name of the hero on the box is so last year.
This first review will focus on that fan favorite, Batman! I did not read Batman comics growing up. In fact, the first real Batman comic story I read IN a comic was "Batman vs. The Hulk", because I was much more a Marvel fan during my comic collecting days. Still, then as now, DC was rocking the animated adaptations like a boss, and My Batman is the "Batman: The Animated Series" Batman. Even though I was slowly exiting my "afternoon cartoons" phase, I made a place for Batman, because Batman. It didn't hurt that the movie came out and sort of wiped away a lot of the campy, 1960s TV show public consciousness about Batman either. Sorry Adam West, you are no Kevin Conroy.

Of course, today's Batman is most informed by that of Christopher Nolan's masterful "Dark Knight" trilogy, and this cereal is only a touch removed form that. Look at that box! It's all broody and dark, and doesn't even have the name of the hero on the front! Pity the one dude who doesn't know who Batman is, am I right?


Uhhhh...I think you forgot to tell us who this is?
Chocolate Strawberry Cereal? What the ever loving crap. That doesn't make a ton of sense. Does it?


The back of the box is only slightly better..
Anyway, for a dark, brooding, adult themed movie, they sure are hawking the cereal like whoa. Most "movie tie-in" cereals tend to follow a pattern: Generic sweetened corn cereal with marshmallow pieces that may or may not resemble things from the movie. I have to hand it to General Mills, this is TOTALLY not that at all. I mean, LOOK!


It's almost like a real breakfast!
Bold move, making a Chocolate Strawberry Batman cereal. I mean, how is that even a theme? Dark and brooding on the outside, sweet and fruity on the inside? Wait...you know what, never mind. Let's just take a look at the shape: Okay, it's a bat. Very clearly a bat. Covered in cocoa. The scent is of fakey fake strawberry heavily coated in cocoa powder, which is a very distinct scent apart from just chocolate. This is why Cocoa Puffs smell different from Cocoa Krispies (which is hardly Cocoa at all). Anyway, it certainly looks like a Batman Cereal. On to the taste!

It tastes like Cocoa Puffs and Frankenberry had a brooding angsty love child before they both got shot exiting a theater. It is just BIZARRE how these flavors blend. Mix Strawberry and Chocolate Quik together and you will get some semblance of this flavor. The cocoa portion is almost overwhelming, and yet the strawberry manages to punch its way through to your taste buds. The fact that the cocoa flavor seems to be delivered by copious amounts of cocoa dust only adds to the Quik-ish experience. It's not a bad flavor really, it is just so unlike anything I was expecting from a goddamn Batman cereal. 

On the FACE Rating System, I give this 1 smiley face. I don't love it, but I find myself enjoying the novelty of the flavor and mouth feel, even if it isn't particularly "nice". It's just unlike any other cereal I've ever had, and that intrigues me to no end. It is vengeance! It is the Night! IT! IS! BATMAN CEREAL! 

Next time, we look at the (in theory) brighter, shinier counterpart...

Friday, October 12, 2012

Kotas Reviews The Amazing Spider-Man

Today I went and saw The Amazing Spider-Man with Charlotte and a bunch of other people. My expectations were kind of mixed, given that I’d heard good things about it and bad things about it. Some of my favorite reviewers (like Film Critic Hulk) have reviews of it that I haven’t read yet, but the gist I got was “not thrilled”. I had avoided most trailers simply by not watching a lot of TV or other movies, so I was sort of going in blind. I set my expectations at “Better than Spider-Man 3”. In this, I was not disappointed. This, however, is not your Daddy’s Spider-Man…or is it? From this point on, there will probably be some spoilers (Hint: Uncle Ben Dies), so skip to the end for my capsule review.

First off, I rather liked the performance given by Andrew Garfield as Peter Parker. One of the comments I’d heard about this film was that it was a bit less “comic book-y” than the Sam Raimi Spider-Man films, and in some ways I agree with that assessment. This Peter Parker is still nerdy, but he’s a smidge less awkward socially and a lot less weepy. Now, I LOVED Toby Maguire as Peter Parker in the first film, but I also really liked this performance. In this version, they tone down some aspects of Peter (photography, extreme dorkiness) and turned up others (super science, curiousity), but he’s still the lovable dorky everyman…sort of. The parts with his mother and father at the beginning set up WHY he lives with Aunt May and Uncle Ben, and add a bit of mystery to his past…but it doesn’t really go anywhere in this film except as a bit of a MacGuffin and in the setup for the sequel. That is one of the nitpicks I have with this. A LOT of shit is in this to set up the sequels. Occasionally I feel like the writers were saying “Yeah, yeah, you’ve seen this all before. We have to do it because it’s a reboot. You’ll love the sequels!”

So, after that, how were the other performances? Overall, I’d say “Not Bad”. Martin Sheen turns in a good performance as Uncle Ben. I liked that they gave us more time focused on Peter and Ben to see their relationship in action, rather than mostly inferring it as in the previous origin film. The back and forth they have felt more natural to me than the Raimi version, as did some of their arguments. Uncle Ben’s death was handled fairly well, and more realistically than the whole “wrestling thing”, so it wasn’t bad, and of course it needed to happen. The “final voicemail as voiceover flashback” was a nice touch to scoot around the whole “flashback audio” you get so often in these types of films.

Though his part was small, the guy who played Flash Thompson was enjoyable to watch, especially some of the nods to his character in the comics, though a bit inconsistent in portrayal. I think they overdid it a bit in his initial “beat up Parker” scene. Emma Stone turned in a pretty good shot at Gwen Stacy, Peter’s first love, who is finally getting some screen time instead of just “Mary Jane this” and “Mary Jane that”. Sally Field was fine as Aunt May, but Aunt May wasn’t given a whole lot to DO in this story. In the Sam Raimi movie, Aunt May was a core character and a lot of Peter’s grounding influence. Here, she just seems to be…there. “Oh, it’s Spider-Man. Gotta have Uncle Ben and Aunt May somehow.” This is a woman that Peter Parker LITERALLY MADE A DEAL WITH THE DEVIL (Fuck you, One More Day) in the comics to save, and in this film she is just sort of…there.

The Lizard was a good choice for a “first outing” villain. The Lizard in the comics is sort of “Hulk Lite”. Brilliant Scientist turns into Child-like green monster due to an experiment gone awry. It’s a classic sympathetic villain, and the power level is right on par with early Spider-Man. HOWEVER, this is also one of the weaker parts of the film. Kurt Conners (should be CURT, but that’s nitpicking) isn’t as likable as he’s been in other media, or even in the first Spider-Man film. He’s not a BAD guy, but he’s less sympathetic in this portrayal than in others. It doesn’t help that he also gets a case of the “Take Over the World” crazies for what appears to be no reason. I mean, really, if the Lizard part of him is “taking control”, shouldn’t he regress to a more simple viewpoint? This is just setting up the “green serum” as giving you the crazies, so in the next film we have the Green Goblin. Whatever, Chekov’s Mass Aerosol Dispersion System had to come up at some point, right? Overall, I enjoyed the Lizard in this film, but they tried to combine the Lizard and some of William DeFoe’s Green Goblin, and the seams show a bit.

Dennis Leary was a surprise as the initial antagonist for Peter Parker rather than J. Jonah Jameson. Frankly, the Sam Raimi Jameson was damn near perfect and that’s some big shoes to fill…so they didn’t bother trying. The film also emphasizes the “Spider-Man as wanted criminal” aspect more than the first film, and it was a nice twist on it. Leary’s defense of “why Spider-Man is more of a hindrance rather than an aid” speech was a nice jab at the conventional wisdom in comic book movies, and it was appreciated since they were going for a “more realistic” feel.

Let’s talk about that “more realistic” feel the movie tried to accomplish. The CGI Spider-Man in the first film was pretty good, but it suffered from the “too clean” problem. Everything was just a touch too shiny, too perfect. Here, they’ve done a pretty good job of making it look a little more grimy. Spider-Man is not quite as completely bending the laws of physics when he bounds around. He swings around with more weight it seems. There were also some nice practical effects with Peter jumping around that were fun. The Lizard's effects were serviceable, though the CGI tail growing back was pretty lame.

One thing that threw me off a bit was the decision to go with mechanical web shooters rather than organic ones. Yeah, I get it, Peter is smart enough to have built them, but SURELY someone would recognize the product as “OsCorp” stuff? Then it’s simply a matter of looking for someone who buys it regularly who probably shouldn’t…like a HIGH SCHOOLER. Or maybe he stole it from Kurt Conners I don’t know. The change to “DNA weirdness” instead of “Fucking Radioactive Spider” naturally flows to “organic web shooters” and this was just sort of out of place. Hell, it only comes up twice in the film (they don’t work underwater, and the Lizard crushes them at one point), so…why bother? Eh, it’ll probably be made more of in the sequels.

One of the story problems with the film is that it felt disjointed. It seemed to me that it went. “Peter does something. And then Peter does more stuff. And then Peter gets bitten. And then…” Scenes made sense story wise, but the transitions just weren’t. It was a lot of scenes connected by a running story, but not by the film itself (except toward the end, when it all kind of made sense, sort of). It was like "Six Stories in Six One Act Plays, Where All the Stories are Sequels to The Previous Story". This was annoying at times, because a lot of scenes were sort of "half" set up, and then proceed as if they were fully set up. Speaking of gratuitous scenes, the whole “line up the cranes” thing was super, duper cheesy, WAAAAY moreso than the “if you fight one of us you fight all of us” from the first film. It really needed each crane to have an American Flag hanging from it to truly be cheesetacular. The only thing cheesier would have been a scene of Spider-Man swinging into Slow Motion, and shooting a web directly at the audience to justify the 3D effects....OH WAIT, THAT WAS IN THE FILM.

Overall, I’d give the film 2 smiley faces on a scale of 5 frowny faces to 5 smiley faces. It was a pretty good super hero movie that does what it needs to do to set up the “reboot” of the franchise, and it feels very much “by the numbers”. It’s fairly well done, and I liked it. If you’re a comic fan, I recommend checking out a matinee. I still prefer the Sam Raimi Spider-Man over this one, but I can appreciate this reboot as being "not bad". It's not gonna make anyone's top movie list though.

Sunday, July 29, 2012

Kotas Reviews The Dark Knight Rises

Charlotte and I saw "The Dark Knight Rises" today. I won't go into any deep detail, because most of those out there who read my stuff have already seen it. That said, there are probably spoilers in here, so just skip to the end for the final verdict.

The movie opens with some operatives from somewhere who drop the name Bane. The resulting hi-jinks, which are surprisingly slow paced, are supposed to set up the premise of the film: A mercenary named Bane is going to wreck shit, and he's an excellent planner. It does a reasonable job of this, and I liked the scene, but it just felt a bit too slow.

After that, the movie moves on to a Gotham City that is "cleaned up". Organized crime has been brought to heel by the Dent Act, and they are celebrating Harvey Dent Day. Commissioner Gordon has a troubled heart, wanting to confess to the lie he's held onto for 8 years, but finds that the time is not yet right. Batman (and Bruce Wayne) hasn't been seen since that fateful night at the end of "The Dark Knight"...

This is where the film really starts, and I feel that the beginning was a false opening, just given to set up some back story about the nuclear physicist, Dr. I'm Totally Dead Meat and show that Bane is "pretty bad ass". It works, but it feels a bit out of place. It also seems to be the only real misstep of the film. I'm confident that with a few changes of dialog the whole "nuclear scientist" bit could be cut without affecting the story of the film.

The rest of this is a loving goodbye letter to this franchise. We get more of what we expect, and then some. More cool toys (The Batpod returns, The Bat copter thing is freakin' awesome). More light social commentary on the nature of humanity (Bane's backstory, Selena Kyle's heists, the whole Robbery of the Stock Exchange sequence), More Gravely Bat Voice (okay, maybe not EVERYTHING is gold...). More amazing Morgan Freeman and Michael Caine. More, More, More, all culminating in the final exit that we've been expecting since Batman Begins. There are a TON of links back to that film in this one, along with several nice surprises and return cameos (I always enjoy Dr. Crane's antics), and this film shows the core of what the Nolan Batman is: Made of Determination and Persistence. This is not the Great Detective Batman, nor the Hyper Prepared Batman, nor the ultimate Combatant Dark Knight. This is the Batman that crawls inside himself to wrench the will to do what needs to be done out, often at great cost. Who returns from his losses, to finally Rise to be the hero that Gotham truly Needs.

It is not often that one gets to say that the first film of a trilogy is probably the "worst" one, but I think this is the case with the Nolan Batman Trilogy, not that any of these films are bad. While I think I like the Dark Knight better, this film is a worthy end. Sure, I enjoyed the Avengers more, but that's because I'm a Marvel Fanboy at heart, and I have my biases.

The Dark Knight Rises is a fantastic send-off to a character who brought Batman as Crime Story to the people, and made them love it. I give it 3 smiley faces on a scale of 5 frowny faces to 5 smiley faces. If you liked Batman Begins and the Dark Knight, do yourself a favor and go see this film.

Friday, May 11, 2012

Kotas Reviews The Avengers


Okay, I just saw the Avengers. HOLY CRAP THIS IS THE BEST SUPERHERO MOVIE I'VE EVER SEEN IN MY LIFE!
That is all.